The source code for this HTML page contains only ASCII characters, butit directs the browser to display some special characters. The originalwork contained a few phrases or lines of Greek text. These arerepresented here as Greek letters, for example τραγος. If the mouse isheld still over such phrases, a transliteration in Beta-code pops up.Aside from Greek letters, the only special characters are a fewscattered instances of the letters a, e, s, and z with a breve, and theletters a and u with a macron.
An important feature of this edition is its copious footnotes. Footnotesare indicated by small raised keys in brackets; these are links to thefootnote's text. Footnotes indexed with arabic numbers (as [17],[221]) are informational. Note text in square brackets is the work ofeditor E. H. Coleridge. Unbracketed note text is from earlier editionsand is by a preceding editor or Byron himself. Footnotes indexed withletters (as [c], [bf]) document variant forms of the text frommanuscripts and other sources.
In the original, footnotes were printed at the foot of the page on whichthey were referenced, and their indices started over on each page. Inthis etext, footnotes have been collected at the ends of each play orpoem, and have been numbered consecutively throughout.
Navigation aids are provided as follows. Page numbers are displayed atthe right edge of the window. To jump directly to page nn, append#Page_nn to the document URL.To jump directly to the text of footnote xx, either search for [xx]or append #Footnote_xx to the document URL.
Within the blocks of footnotes, numbers in braces such as {321}represent the page number on which following notes originally appeared.These numbers are also preserved as HTML anchors of the form Note_321.To find a note that was originally printed on page nn, either searchfor the string {nn} or append #Note_nn to the document URL.
The plays and poems contained in this volume were written within thespace of two years—the last two years of Byron's career as a poet. Butthat was not all. Cantos VI.-XV. of Don Juan, The Vision ofJudgment, The Blues, The Irish Avatar, and other minor poems,belong to the same period. The end was near, and, as though he hadreceived a warning, he hastened to make the roll complete.
Proof is impossible, but the impression remains that the greater part ofthis volume has been passed over and left unread by at least twogenerations of readers. Old play-goers recall Macready as "Werner," andmany persons have read Cain; but apart from students of literature,readers of Sa