on

1-i

HOURS WITH THE MYSTICS

1-iiUniform with this volume, crown 8vo, cloth.
I.
THE SYMBOLISM OF CHURCHES
AND
CHURCH ORNAMENTS
A TRANSLATION OF THE FIRST BOOK
OF THE
RATIONALE DIVINORUM OFFICIORUM
Of WILLIAM DURANDUS
With Introductory Essay and Notes by the
Rev. J. M. NEALE and Rev. B. WEBB
II.
SYMBOLISM, OR EXPOSITION
OF THE
DOCTRINAL DIFFERENCES
BETWEEN
CATHOLICS AND PROTESTANTS
As evidenced by their Symbolical Writings
By JOHN ADAM MOEHLER, D.D.
1-iiiHOURS WITH THE MYSTICS
A Contribution to the History of
Religious Opinion
BY
ROBERT ALFRED VAUGHAN, B.A.
SIXTH EDITION
TWO VOLUMES IN ONE
VOL. I
NEW YORK
CHARLES SCRIBNER’S SONS
743 & 745 BROADWAY
1893
1-v

PREFACE TO THE THIRD EDITION.

The work which is now again published was theresult of too many years’ steady application, andhas served too great an intellectual use in the specialdepartment of thought of which it treats, to be allowedto fall into oblivion. Certainly the reading which theauthor thought it necessary to accomplish before hepresented his conclusions to the public was vast,and varied. That the fruit of his labours was commensuratemay be gathered from the honest admirationwhich has been expressed by men knowingwhat hard study really means. The first edition ofthe ‘Hours with the Mystics’ appeared in 1856;the second was, to a great extent, revised by theauthor, but it did not appear until after his death.It was edited by his father, though most of the work ofcorrection and verification was done by the author’swidow.

There is no intention of writing a memoir here. Thathas already been done. But it has been suggested thatit might be interesting to trace how Mysticism graduallybecame the author’s favourite study. To do that it maybe well to give a very short sketch of his literarycareer.

From the time he was quite a child he had the fixed1-viidea that he must be a literary man. In his twenty-firstyear (1844) he published a volume of poems,entitled ‘The Witch of Endor, and other Poems.’ Thepoetry in this little volume—long since out of print—washeld to give promise of genius. It was, of course, theproduction of youth, and in after years the authorwas fully conscious of its defects. Bu

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