THE DOLIVER ROMANCE AND OTHER PIECES
TALES AND SKETCHES
By Nathaniel Hawthorne
AN OLD WOMAN’S TALE
In the house where I was born, there used to be an old woman crouching all day long over the kitchen fire, with her elbows on her knees and her feet in the ashes. Once in a while she took a turn at the spit, and she never lacked a coarse gray stocking in her lap, the foot about half finished; it tapered away with her own waning life, and she knit the toe-stitch on the day of her death. She made it her serious business and sole amusement to tell me stories at any time from morning till night, in a mumbling, toothless voice, as I sat on a log of wood, grasping her check-apron in both my hands. Her personal memory included the better part of a hundred years, and she had strangely jumbled her own experience and observation with those of many old people who died in her young days; so that she might have been taken for a contemporary of Queen Elizabeth, or of John Rogers in the Primer. There are a thousand of her traditions lurking in the corners and by-places of my mind, some more marvellous than what is to follow, some less so, and a few not marvellous in the least, all of which I should like to repeat, if I were as happy as she in having a listener. But I am humble enough to own, that I do not deserve a listener half so well as that old toothless woman, whose narratives possessed an excellence attributable neither to herself, nor to any single individual. Her ground-plots, seldom within the widest scope of probability, were filled up with homely and natural incidents, the gradual accretions of a long course of years, and fiction hid its grotesque extravagance in this garb of truth, like the Devil (an appropriate simile, for the old woman supplies it) disguising himself, cloven-foot and all, in mortal attire. These tales generally referred to her birthplace, a village in the valley of the Connecticut, the aspect of which she impressed with great vividness on my fancy. The houses in that tract of country, long a wild and dangerous frontier, were rendered defensible by a strength of architecture that has preserved many of them till our own times, and I cannot describe the sort of pleasure with which, two summers since, I rode through the little town in question, while one object after another rose familiarly to my eye, like successive portions of a dream becoming realized. Among other things equally probable, she was wont to assert that all the inhabitants of this village (at certain intervals, but whether of twenty-five or fifty years, or a whole century, remained a disputable point) were subject to a simultaneous slumber, continuing one hour’s space. When that mysterious time arrived, the parson snored over his half-written sermon, though it were Saturday night and no provision made for the morrow,—the mother’s eyelids closed as she bent over her infant, and no childish cry awakened,—the watcher at the bed of mortal sickness slumbered upon the death-pillow, and the dying man anticipated his sleep of ages by one as deep and dreamless. To speak emphatically, there was a soporific influence throughout the village, stronger than if every mother’s son and daughter were reading a dull story; notwithstanding which the old woman professed to hold the substance of the ensuing account from one of those principally concerned in it.
One moonlight summer evening, a young man and a girl sat down together in the open air. They were dis